Venues

KeySpan Park

Brooklyn, NY, USA

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Top Rated Shows

Highest rated shows at this venue by Phish.net users:

Date Rating
2004-06-17 254 votes 4.2008/5
2004-06-18 162 votes 3.1605/5

Top Reviews

Highest-rated reviews from shows at this venue:

2004-06-17 by waxbanks 24
Wonderfully fun show, though a bit lite for June '04 in retrospect. The band's enthusiasm and affection are palpable from the start. If you like Phish of a 2003-04 vintage, certainly buy 'Live in Brooklyn' (for the crystal-clear audio if nothing else), but the deep cuts don't really start until...
2004-06-18 by waxbanks 9
Evidence, in case you needed it, that Phish is not a hip hop group. A swell show otherwise.
2004-06-17 by kipmat 9
Hindsight is a funny thing. Over the past few days I've been *observing* (rather than "celebrating") the 10th anniversary of the 2004 Vegas run, by general consensus the worst three consecutive shows of the band's career. I couldn't stomach listening to the complete shows, resorting instead to...
2004-06-17 by Hose_jam 6
Things other reviewers have not mentioned.... *Very smooth segue from 46 Days->Possum *18 minute Suzy with Reprise Jam. Straight funk (reminiscent of the 9/14/2000 Suzy) until about the 10:20 mark and then things take a turn for the nasty. Typical 2.0 dark jam sound. 11:40 Fishman starts...
2004-06-18 by westbrook 5
Kind of a sloppy show and the worst of the month if you ask me. Still, there are some parts worth seeking out. The Jay-Z guest spot should be heard for novelty's sake, as should the Chalk Dust and Hood, which both feature atypical jams. CDT gets into some cool, distinctly 2.0 style space once...
2004-06-18 by The_Ghost 4
Brooklyn make some noise! First set Carini is worth a listen. I enjoy that song and the different directions it can go. I tend to enjoy the ones that aren't as dark more, but you need both for balance in life. Second set features Jay-Z. I think this is really worth a listen because you...
2004-06-17 by Mikesgroover 4
The first show after the announcement of Phish's impending breakup was eagerly anticipated by the fanbase. Would Trey reference the letter in words or in music? What would the band's chemistry be like? Truthfully, there were few signs musically that the band was running out of gas. Thanks to...
2004-06-18 by Phabio 3
On the 11th anniversary of my first show, I look back at the scene. A hot summer day against the banks of the south shore of Brooklyn, a raging lot scene, my 17 year old self with my two closest friends going to see our first show. While the show itself doesn't do much in terms of setlist, the...
2004-06-17 by ilostmypebblesandmarbles 3
This version of Suzy has a very distinct guitar progression in the moments before the tempo picks up. Trey plays a full on No Quarter chord sequence. The EXACT same sequence as Jimmy Page plays in No Quarter during The Song Remains The Same film. In Zeppelin's 73 Madison Square Garden version,...
2004-06-17 by hughie46 2
this is an AMAZING SHOW. you need to hear it, really sharp definitive 2.0 takes on some of the phish catalogue. the moma is what i used to always go back to early on in my listening to phish, absolutely ripping, and the curtain with, sample, free, all have a seemingly additional melodic nature....

Notable Jam Chart Performances

Individual jam chart entries from this venue:

2004-06-17 • Suzy Greenberg (18:23) Set 2 Noteworthy
Multifaceted jam follows the final verse and refrain. At first rhythmic and plucky, it gradually becomes more intense, then grows slightly spacey, and intensifies again before finally settling with a > to "Axilla."
Breaks away from "CDT" at about 6:00 and by 8:00 has morphed into a very subdued, quiet sentiment. The jam gradually rebuilds momentum and pulse and returns to "CDT."
After a quick "Mainstreet" tease, the jam briefly settles before picking up a serious head of steam, transforming KeySpan Park in Brooklyn into a blistering and raging quick-tempo rock fest.
Second jam is what good 2.0 is all about: the band is locked in and the interplay is fresh and creates an environment for dancing hippies to flourish.
2004-06-17 • Free (10:18) Set 1
-> in from an epic "Moma Dance." Sick bass by Mike. Maybe the best straightforward version. Great interplay by Trey and Mike.
Strong but typical jam cools off gradually beginning around 9:20 and a cool, choppy jam emerges, that many fans may love. Transitions pleasantly but not magnificently into -> "Free".
Debut opens the Summer '04 Tour. The jam section is high energy, but also dark and gnarly, with great playing by Trey
2004-06-17 • 46 Days (16:24) Set 2
Moves beyond "46 Days" into a swirling, more sedate segment. Jam then picks up a nice rhythmic pulse and great groove. The jam grows increasingly energized and intense, with a textbook -> to "Possum."


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