> from a big-time "Tweezer". The jam stays mostly within the bounds of the song until Trey finds a riff he likes. The rest of the band follows along and a bliss jam appears. Trey remains aggressive the entire way, all the way until he signals that it's going to be a "Tweezer-fest" and abruptly > back into "Tweezer".

> from a strong "Mercury" as the second leg of a three-part "Tweezer" bonanza. This section is largely "Type I" but with plenty of synthy flourishes and adds in a splash of ambience in the finals minutes before > "Pillow Jets".

> from "Tweezer" in a wild and wacky Tweezer-fest. The band sludges through some dark jamming before returning to the "Conjurers of thunder" refrain and ever so slowly, Trey finds his way back to > into more "Tweezer".

Slowly emerges > from "Pillow Jets" for the third and final time in a "Tweezer"-dominated set, and is quickly reduced to an eerie hush. Creepy effects are gradually added to the mix as the off-kilter energy builds until eventually Fish kicks back in and the riff returns to usher in a climactic finale, after which it dwindles in the old-fashioned way to put a capper on a collective 42 minutes of "Tweezer" action.

The first in a set of strong Summer '25 versions begins with a bouncing, plucky opening which gives way to more fluid play as it builds to a glimmering, multipart peak.

Quickly turns up the heat on the standard outro and soon becomes a ripping torrent. Short, sweet, devastating.

Takes the form of a gradual, stunning sunrise. The jam starts in a minor mode, contemplative and soft in a pre-dawn dark. Patience and group listening creates space for every voice. Fishman pushes the gentle ascent, Mike soars around 7:00, then Page and Trey take turns delicately opening the hose. The mood brightens until a bright-but-not-blinding daybreak erupts around 14:00, bringing the warmth of dawn. Evocative, emotional bliss reigns until a return to theme ends the journey without a wasted moment.

Hazy, phase-y psychedelia breaks early on for ebullient, sunny grooves as Trey's crystalline Koa 1.5 tone shines brightly. A bit of minor darkness briefly creeps in, as the textural palette then expands exponentially into more space-y, synth dense pastures. The jam finds its "je ne sais quoi" here as a minimalist, hypnotic world opens up, anchored rhythmically by Page's insistent clavinet work. The music then forms up behind Trey's insistent, scratchy rhythm playing and Fishman's relentlessness, remaining wholly psychedelic before finally winding down and > "A Wave of Hope".

Mike and Fish maintain an aggressive bounce that provides a foundation for a quasi-psychic back and forth between Trey and Page who exchange shimmering melodies that build toward a peak that takes a brief and gritty detour into more exploratory ground before returning to the more customary close.

After two Set 2 openers for the price of one ("Bouncing" followed by "Sample"), the band gets down to business with the longest "LSG" to date. They take a minute to find their footing, but Mike takes the reins around 9:30 and things take off. Excellent, melodic play from Trey at 14:50 gives way to a full band onslaught. The jam winds its way to its ending and > into "Twist".

While remaining in "Twist" territory, the band slows the pace out of the gate. Straddling the line between "type one" and a wavering tonal drift for several minutes, a curious examination of the moment dominates. Little time is wasted before effects layer in, amplifying the mystique that helps to inform Summer 2025's sound. Momentarily, a juicy rhythmic section overlays the mist before this sound breaks for more sustain, "Get More Down" samples, percussive jolts of chaos, and a satisfactory climb into Trey-led rock whose quiet drop > into "Piper".

Solid Set I version of "Llama" with some great Page and an unusual refrain between Page's and Trey's sections.