This is my all time favorite phish concert. This for me is the epitome of why I love phish.
My friend my friend > possum, guyute, if i could is a raging start.
But the absolute highlight of this show is the 37 and a half minute bowie. This for me, is Phish at its finest. This is a fucking...
Out of all the shows I saw this one sticks with me on many levels. I drove up by myself from my small town in Northern Illinois. I asked my parents if I could borrow their car for the night. I was told yes as long as I didn’t leave town with it. I proceeded to drive 2 states away. I had an ex...
The first set is well-played with a lot of enthusiasm, as you would expect from 94 Phish. The first half of the set is particularly strong. The second set boasts two great highlights in David Bowie and Slave. This Bowie goes way out there and clocks in at over 37 minutes for the longest...
"That was when Phish became a good band, right before the Bangor Tweezer." - Trey, Relix 11/16/2020
Fall '94. The difference in the band since Summer was palpable. We were fresh off of the classic 11/23 show, having been blown away by the whole experience, and rolling into Minnesota a day...
If, like me, you hold a special place in your heart for 93-95, for Machine Gun Trey, for the jubilantly hosed-out, maximalist arena rock version of Phish, well, do yourself a favor and give this show a spin. You will already be familiar with the elegiac Slave from ALO and, very likely, the...
I can't say enough about the Bowie. A multipart masterpiece of a jam -- the dark, brooding buildup that explodes, then settles eventually into a key-changed quiet, peaceful, trance jam, then the key changes again as they work the energy back up into a very fast, kind of funky, danceable jam, and...
I love Bowie so I always became fixated with 12/29 as the unquestioned champion. Some days I change my mind. It just so happens it is days when I get this show a whirl. This Bowie may not cover as much ground as the epic rendition a month later, but it is its musical counterpart sustaining just...
The Other One. All fans should be familiar with this version as well as Providence. Of the two, this one is more musically oriented. A downright masterpiece.
Page's solo is pretty amazing on its own, but especially when coupled with the dynamic interplay among the band during this section. Trey has a very quiet solo, and the build-up features great Trey/Fish teaming.
Version featured on A Live One. Like many of the stellar '94s, this "Slave" has a huge dynamic shift from the subtle, quiet, early part of the jam, to the soaring, high intensity peak.