Niagara Falls Convention Center

Niagara Falls, NY, USA

Top Rated Shows

Highest rated shows at this venue by Phish.net users:

Date Rating
1995-12-07 260 votes 4.5231/5

Top Reviews

Highest-rated reviews from shows at this venue:

1995-12-07 by waxbanks 10
Deep cuts, especially the gnarly Mike's > Weekapaug. A n00b-unfriendly show, as it were, but that second set is an underrated home run, flubs notwithstanding. (Side note: the only show to close both sets a capella, as I recall.)
1995-12-07 Cory Ferber by 7
(Published in the second edition of The Phish Companion...) The NFCC felt more like an airport hanger. It was a huge open space with cement floors and ceiling like a gymnasium. The stage was set up on one end and there was a set of bleachers on...
1995-12-07 by Penn42 6
Solid show! This is my favorite of the three Mike's -> Weekapaug's. Just real dirty, the noise jam in the last half of Weekapaug is super awesome. Reba is ridiculously fast, yet still fairly clean considering, and has a great build. It's a bummer that they didn't all catch the cue to end it,...
1995-12-07 by Frankster 4
1st show and what a show it was. An above average show from an above average tour. The boys jump right into hose mode with a slick curtain and a smoking Acdc bag. A sparkling mid set slave remains my personal favorite of all time. The 2nd set opens with another favorite split that really gets...
1995-12-07 by Campster 3
Well I am reviewing the awesome discs Phish has put out the past few years, and this '95 gem is up next! Old Home Place is a peppy opener. You can tell just how tight and fast they could play during this period. Curtain>Bag is a classic pairing, like a fine wine and cheese plate. Demand...
1995-12-07 by fhqwhgads 3
It may just be because I slept overnight in between listening to Sets I and II of this show, but I find this one sort of exhausting. The sheer energy and virtuosity on display in 1995 (and Fall 1995, in particular) can tend towards that. This is also a typically stacked setlist for the time....
1995-12-07 by possum652 2
Great show! still had that small venue feel even though Phish was starting to play big venues.. I do remember hanging in the back before the second set and right about in the middle of Melt, the guards must have broke up a fight with tear gas... the back of the venue started getting foggy and...
1995-12-07 by spreaditround 1
SET 1: The Old Home Place: Odd opener. In 45 times played, this has only opened set one twice – here and at the Clifford Ball day two, 8.17.96. > The Curtain: Beautifully played. > AC/DC Bag: Great deal of tension built in the late 6’s and early 7’s leading to a nice release....

Notable Jam Chart Performances

Individual jam chart entries from this venue:

1995-12-07 Split Open and Melt (16:46) Set 2 Noteworthy
Sick wrecking ball version that will pound your head. Start with some "In-A-Gadda-Da-Vida" jamming to warm up. On to improvisational twists and turns, a tense, hammering peak, and a somewhat bizarre ending. Very demented.
1995-12-07 Slave to the Traffic Light (12:33) Set 1 Noteworthy
Unusual mid first set placement. Trey hits on a great riff that he molds as the jam develops. The band really stretches this one out, with unbelievable intensity even before mounting the final peak. One for the ages.
1995-12-07 Mike's Song (17:24) Set 2 Noteworthy
Compared to the preceding version, this one begins in a less frenzied state, but builds up pretty good head of steam, including "Crossroads"-like jamming. The 2nd jam begins with Trey mini kit action, until 11:40, when Trey returns to his main instrument, transforming the rhythmic oriented jam into hose-filled, "Weekapaug"-like, major mode celebration. -> to a great "Weekapaug"/"DDL Jam."
1995-12-07 Digital Delay Loop Jam (6:31) Set 2 Noteworthy
-> in from "Weekapaug." After a spirited and uplifting "Mike's Groove," the "DDL" Jam provides a chilly, eerie ending to this epic multi-part jam.
1995-12-07 Julius (6:44) Set 2
Only known version with a Page-only solo.
"Mike's -> Weekapaug -> Digital Delay Loop Jam." Incredible sequence of music with an inspired but straightforward "Weekapaug" in between stellar works of improvisational play.
1995-12-07 Possum (13:43) Set 1
Multiple peaks that grow increasingly intense. Fish and Page are especially dynamic, with Page briefly on the B-3.
1995-12-07 Reba (14:23) Set 2
If 9/30 and 11/29 are fast, the Niagara "Reba" is faster. While the composed section suffers, the jam is crazy, relentless, rife with rich fills, crazy intensity, and the whacked sentiment of the set-opening "SOAM." This late second-set version sees Trey creating huge sustain which bleeds into a spacey, unusual outro. Really cool.


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