Municipal Auditorium

Nashville, TN, USA

Top Rated Shows

Highest rated shows at this venue by Phish.net users:

Date Rating
1995-11-29 76 votes 4.4079/5

Top Reviews

Highest-rated reviews from shows at this venue:

1995-11-29 by KernelForbin 4
11/16/12 - This show was replayed in thePhish room on Turntable.FM An awesome show here that is well-known for its Bela Fleck sit-in. What more needs to be said about a show with a monster Slave w/ Bela sitting in? A decent amount, actually... Third song in we are hit with a Reba that...
1995-11-29 by Penn42 2
Every time I hear a new Fall '95 Possum it immediately becomes my new favorite version. Fall '95 was Possum's heyday; they consistently raged that shit hard that tour. 11.29 is no exception. This one also has a pretty long and entertaining intro taboot, but it's still all about the jam. My...
1995-11-29 by qushner 1
Excuse me. The Simple is pretty "important" here. It's not the usual sing-songy see-saw jam. Nor is it a shred-fest. Trey grabs a nice little ascending figure and rides it all the way up. Dismount is a bit jarring, which might be the only thing keeping it off the jam chart, but I'd recommend...

Notable Jam Chart Performances

Individual jam chart entries from this venue:

1995-11-29 Timber (Jerry the Mule) (8:31) Set 2 Noteworthy
Set II opener. Unusual intro. Intense with ferocious percussion. Page jumps to the B-3 briefly to provide an unusual and chilling effect. Multiple movements in this incredible, jarring jam that will rattle your skull. > to "Sparkle."
With Bela Fleck on banjo. This is a fantastic version; the banjo is a perfect addition for an intense, rhythmically complex, song like "Taste."
Bela Fleck on banjo. This is a fantastic version, with Bela and Trey pairing together incredibly well.
1995-11-29 Possum (17:20) Set 2
Extended, percussive intro, almost like a "Bowie." Soaring, multiple peak jam with awesome Trey and Fish.
1995-11-29 Reba (15:27) Set 1
Almost two months removed from Shoreline's speedy "Reba," the band again takes flight, whipping through the composed section at warp speed. The ensuing jam, while metered, does not relent, with passionate, inspired Trey leading the way, while focused, full-band play is infused with great syncopation and rich melodic variation.


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