As the show begins, you're immediately stuck with the thought that this show could definitely be in contention for best of 1988 (whether or not this is a prestigious honor is up for debate). The show starts out rocking and rollicking towards 5-star-land, but falls off a bit after the second set...
This show is mixed well but suffers in quality due to high cassette generations. This would make for an excellent release someday if Mr. Shapiro is sitting on the masters. Could this possibly be considered Phish’s first unophishial fest? It’s impossible to tell how many people were in...
With an additional percussionist. -> in from "The Curtain With." Includes both "DEG" and a lot dissonant, "DEG"-like jamming that makes up a good chunk of this unique, jammed-out version of the "The Curtain With."
An unprecedented and highly improvisational version, which includes an unknown additional percussionist. Following a strong run through The Curtain section, the band breaks into the familiar With jam. However, this jam quickly takes on a more dissonant and frenetic character, with "DEG"-like undertones, although it retains some semblance of With through about the 15:00 mark. After this point, the band breaks for "DEG," followed by some abstract and crazed jamming, a testament to the band's nascent improvisational nature. Eventually, the playing returns to the customary With ending.
Debut. First version is played at a slightly slower tempo and includes an additional, unknown percussionist. Nice Trey shredding on the first go around, plus a "Mike's Song" vocal refrain and jazzy ending.
Great quiet interplay at first between Trey, Mike, and Page. Then at 5:15, Pete Danforth kicks in on saxophone, and the result is a super and unexpected combination, with an impressive and fiery peak.
With an unknown percussionist, there's a cool little intro section. The jam is really the first version that starts to sound similar to the modern "Mike's" jam. There's decent improvisation within the jam section, as well as a nice spirited peak leading to the closing.