I mean, is this even fair? I was already enjoying myself immensely, then Billy Strings comes onstage to assist in dismantling the building for the next 70 minutes? What's that saying about never overlooking a perceived "lesser" tour stop? Yeah....whoops.
If you're the type who skips...
This show was overlooked by a lot of people, mostly due to the fact that it followed the weekend run at the UIC. Anyone that sleeps on this show is making a huge mistake!!
PYITE: Punch is always a great way to start the night. This one is par for the course for a '97-'99 version. Of...
Being that it was my first show, I didn't know what to expect, but I had only three expectations or hopes/wishes.
First, I was hoping to hear Halley's... check.
Second, I was hoping to hear Limb as it was one of my favorite tunes at the time... check.
Third and most important, I was...
Fall '98 is such a weird tour to me - there are many shows that have seen official release, far more than other (perhaps more deserving) tours like Summer '95 or Fall '99*, as well as the legendary 11/2 DSOTM show, but the quality *wildly* fluctuates from show to show and the music is not quite...
This show is outstanding from note 1 to the end.
While there is an obvious highlight from Moma->Carini that will undoubtedly be played repeatedly, the rest of the show is worthy of praise.
Set I includes several very well played rarities (Strawberry Letter 23, Peaches, Train Song), tight...
Walked away from this one a very happy customer. Van Andel was rockin' and steamy last night.
Absolutely fantastic first set with great flow, song placement, and really sharp playing throughout. "Sigma Oasis" had a nice little jam at the end, which felt appropriate given the quick segue from...
This show is great.
The Tweezer is killer, and has a great groove. This is right when the Talking Heads grooves started finding it way into Phish's songs. You can start to hear hints of the 97 cow funk in this Tweezer.
Back to back Divided Sky and Swept Away and Steep too.
Another night in Grand Rapids, and another stellar performance from the four boys that traveled far and the one that's formerly local.
Just like last night, the show can be broken up into three segments: set I, set II Phish, and set II/e with Billy.
Set I is fantastic. My Soul and Undermind...
Heck yeah, the tour is heating up and perhaps climaxing? What a show in Michigan, 3rd show in a row by Phish deserving of 5 stars in my humble opinion.
Strawberry opener is very welcome and trey got right to business. Solid version. We mean business out the gate. Peaches being dusted off is...
This show from Fall '98 is packed with standout versions of Birds, Theme, Julius (as always, ha), Halley's, Simple, LimbXLimb, Ghost...
But seriously, Trey is juiced for the second set here. I laughed when he closes the first set saying "We'll be back in 5 min...10 min.....20 min..." Trey...
This "Moma" is the first song Billy Strings sits in on over two nights of shows. His presence is felt and appreciated mere seconds into the song. As the jam begins, Trey and Billy engage in some fantastic interplay which sets the tone that this won't be a typical sit-in. This is the longest "Moma" to date and gets way out there.
Pretty high octane jam at first. Around 11:00, morphs into a snappy, funky phase. The energy builds as the jam regains momentum and space rage ensues. Jam abruptly segues to "Simple."
Big first set version brings the heat and stays punchy and rocking throughout. Capped off by some fine trilling and a relatively satisfying peak before returning to the lyrics to finish
Short but sweet sit-in version featuring Billy Strings on PRS electric guitar engaged in wild back and forth with Trey. One can easily imagine the force ghosts of Dickie and Duane looking on, smiling in approval.
Guest Billy Strings accents the verses with a country twinge that adds to the feeling of being one tiny part of a giant calculus of the universe. This deviation continues past the lyrics, providing an exceptionally spirited extended type-1 jam with noticeable roots in the expansive rural nothingness. (H/t to @maxhog for this note.)
Story goes, Billy heard "Frankenstein's" riff while rehearsing for the sit-in, and asks to play the song. Trey says, "Sure." They run it through. Humorous banter and a great version ensues, night two.
Less by way of bells and whistles than vim and vigor, play is fierce. Trey seemingly signals for a shift after the five-minute mark; Page, however, blows through the stop sign, igniting an exciting audible - one which underscores what makes "basic" Phish c. 2024 (hint: Trey, here) so very peak.
Play showcases the twin-guitar stylings of Trey Anastasio and Billy Strings. A powerful, fairly straightforward version with, unsurprisingly, heavy Allman Brothers over- and undertones.
A scrappy, high-energy take featuring Billy Strings on second guitar that
oscillates between the psychedelic hard rock-isms that Carini typically
serves up, as well as the familiar Allman's-esque melodic volleying that
seems to naturally flow out of Trey and Billy like an unencumbered river.