Jesus! I never did give this show a proper listen, just a 'Yep another great Fall 1997 show' spin back in those glorious Maxell XLII days, but thanks to the Demon What Is Called the Internet, I'm finally digging this special outing.
The first thing to say (first point to belabor?) is that no...
Gave this one a re-listen and was not at this show however would like to post a review of the events in the Bryce Jordan Centre on that December evening in 1997.
SET 1-
MIKE's SONG- A sick 16+ min MIKE'S!!!! to start things off, one of the most electric openers I've heard in sometime, but...
phish crissened the new arena with a fast paced rocking show.we crissened the place with a large puff of smoke. but mother nature played the best show of all with a snow storm... good show good time
Shows that start with Mike's Song almost always deliver it's science.
Mike's is superb to start and get's into the Cow Funk that the other Mike's and Tweezer openers from this year have. My Soul is very strong. Stash is intense as hell, just an excellent version. I love some space between...
The venue was brand new... SOOOO clean and new! i dont think the security was ready for the smoke screen. The Nutter Center was off the hook the 2 nights before. Over all good show, but nothing compared to the 12-7 show in Dayton, Ohio. Oh and it was a huge drive From Dayton to State college....
Forgot about that snowstorm... Thanks Wolf...
One point to make about this show is that the stellar and super Funky Mike's that opens the show continues the start/stop funk jam that was so big a part of the monster Tube two nights earlier at the Nutter Ctr. Worth a listen - stylistically...
The venue was brand new!! So clean..i thought to myself. they didnt know who they were booking when they got Phish. the ushers tried to keep people in Check but the smoke screen came out and the band jammed on. I really enjoyed the first set. The Star Spangled Banner was a nice treat!
Set One Notes:
Mike’s Song kicks things off, and you know that a Mike’s opener usually means a good show is in store. Mike himself gets that bass bumping right off the bat, before the groove starts to widen, with Trey floating triumphant lead lines over it. It builds to a peak before settling...
The jam that emerges begins subtly, then grows some legs as Fish and Mike kick the funk into gear before morphing back into a quiet, contemplative jam. Extremely improvisational version. Seamless segue sounds at first like a move to "Bowie" but becomes "Timber" instead.
Segue -> in from a 30 minute "Simple," this version restores the jam to its typical place of darkness, and has an almost '95 psychedelic feel to it, with Fish kicking the percussion into heavier action.
The single jam has a funky bent at first. After working through some typical terrain, the funk comes back, especially after 8:30 when the jam takes on a "BEK"-like vibe, accentuated by some nice stop/start action.