Am I wrong in thinking that this show has actually become somewhat underrated over the years? My ever-diminishing memory tells me that this show used to be considered one of the greats of not just 1997, but all of Phish's live catalog; these days, thanks to the spreadsheet and the new...

Spectacular show, well deserving of SBD treatment. When 30something fans get nostalgic about the late 90's, partly they're longing for their college/grad-school freedom and irresponsibility, but mainly they're thinking of astonishing setlists like this one. Phish doesn't do first sets like this...

If I had a say in the decision making-process, I would push hard for this show to be released in SBD quality, preferably remastered from the muti-track recordings. This second set of this show is probably my favorite of 1995. There's not much new to add to the reviews but I would like to...

A multi-section monstrosity that features highly inspired melodic playing, atypical modulations, an extended passage based on either "Roll with the Changes" or "Paradise City", and a false ending that catalyzes a deep dive of inter-dimensional sonic alchemy rarely heard in the modern era. Must-hear.

After a standard and somewhat introspective first jam, the band once again charges into the fabled second jam, ready to explore. The music grows inward, as Page's rich, gorgeous grand piano catalyzes a delightfully layered and stunningly spacious melodic section, replete with gorgeous loops from Trey. At 14:25, a modulation leads the band toward a darker zone that builds to a shoegaze-y peak before yielding to the closing chords to finish.

"Wombat"'s second big ride shrugs off some dubious vocals to deliver a hard-charging "Ghost"-esque late night groove that morphs into delicious major key rocking out. Mike's work, in particular, is a joy to behold. Collapses into bubbly ambiance, then > into "Chalk Dust Torture".