Another strong entry in the early history of what has quickly become Phish's post-shutdown standard bearer, this dual peak version traverses blissful, melodic heights then contemplates subterranean spaces before reascending triumphantly.

The song's mellow outro seems built to spill in any number of directions, a musical sort of "canvas." Here, the band paints a cosmic sort of composition. Trey follows Mike for several measures, with Page and Fish providing on-point fills. Restrained play brightens a bit, the version's chill, restrained play warmed by Trey's tone. Patient, hushed, and serene, Page seems to signal a shift, and the jam becomes surprisingly psychedelic, warping into an ethereal ooze.

A strong version which features contemplative, quiet, and delicate playing, unusual for "BDTNL." Ultimately, this warm, restrained playing gives way to a traditional shredding and trilling peak.

A very good clavinet-led funk groove develops. Briefly seems to be rebuilding to return to "DwD", but instead -> "Sand."

This version has an excellent jam segment most notable for the cohesive playing by all four band mates. The peaceful, wandering melody here creates a perfect soundtrack for a summer evening. The only drawback to this fine version is Trey's use of the pitch shifter, common throughout 2010, which can be grating if allowed to dominate one's listening experience.

Similar to 11/13/98 in that this version mostly stays "in bounds," but likewise pushes the envelope. A quality version.

Atypically soulful soloing from Trey, with a strong "Reba"-like jam, shortly before the ending segue into "Wilson."

Once past 3 minutes of somewhat unpleasant string bending from Trey, the jam becomes quite improvisational and multi-faceted with some great Mike and Page contributions, including a "Spill The Wine" Page tease.

Very silly.

Breakdown with Trey on the keyboard and some muted scratching at the end of the jam.

Relatively rote yet impassioned play begins to build, and build (check out the fan reaction around 8:08), as Trey trills, slashes, and powers the version to a blistering peak. This yields to cool riffing, with Mike and Fish locking in to form a fun run with Trey augmenting his tone before, with Page pounding upon his keys, the musicians break free to bring the version to a close.

Sleek bullet train jumps the tracks at the top of a steep grade escapes Earth's gravitational pull and goes supernova as it nears light speed. [A quick-tempo "Ghost" jam acelerates even further, Trey shreds amidst uniquely '00 sounds, and then the jam gets crazed before blasting off into outer space.]