Amazing show, amazing Carini but also really the whole night was superb. A full show from top to bottom. Golden Age into Mountains of the Mist was really great, and so was the Hood. Seemed like every song or every pair had a story to it. Loved the reggae Yarmouth in the encore as well as the...

Critiquing haiku: I made a review Of the show I thought I knew I was never there Seriously!? The first review wasn't even sure if wading was a second set low point. Dude, why even review? You are clearly unsure of your opinion so why try to act like you have something to critique....

I will never understand the ratings on this site! I was in attendance and I guess you can never really translate how good a show actually was unless you were there. I boogied nonstop all night, it was not optional. Great setlist flow, the Carini jam seamlessly led from one section to the next....

The first of several strong outings for "Carini" in Summer '21 and the longest version to date is chock-full of melodious interplay in all stages and features key elements that would reappear as signature sounds of the tour - namely Trey's octave down throaty tone and quickfire delay riffs. At 19:30 Trey pushes for a more familiar peaking section but it pays off handsomely thanks to some expertly delivered trills.

Very good, multi-part jam. Begins in a snappy, rocking mode with a good "Live And Let Die" tease, grows in power, then mellows with a -> to "Lizards."

While Trey always seems at ease playing "BOTT," the first of several Summer 21 fire versions may be the finest, featuring deft and nimble musicianship that carries over into other Phish classics like "Foam" and "Fluffhead." Page's impossibly fun work on the Wurlitzer makes recommending this jam a no-brainer.