The folks at this show are PUMPED! I love listening to Japanese people scream. They had me laughing A LOT while listening to this show. I also enjoy listening to Japanese girls giggle and talk. Well, the creepy old-man side of me does anyway. Great way to start the show with the NICU->Chalkdust...
This show doesn't really get started until the AC/DC Bag, which doesn't leave its boundaries but is definitely worth hearing (Trey's minimal notes remind me of the horn hits on "Night of the Living Baseheads" - how random is that?) until Trey takes over and starts machine-gunning everything in...
Unbelievable show! These Japan shows at this leg of the tour were in really small venues and these guys just blew it up. The previous night's show was released as a live phish album but this one and the 13th could have been as well. Must listen to the audience recording because the SBs don't...
First, I listened to this version: http://phish.in/2000-06-15
This show is fun for a number of reasons.
1) You know its gonna be a good show when Trey yells "Play it Leo, you motherfucker!" during NICU
2) The CDT and AC/DC Bag are both really well-executed with some inspiring moments. Not...
PHISH, THURSDAY 06/15/2000
BIG CAT
Chuo-ku, Osaka, Japan
Soundcheck: Heavy Things, Uncle Pen, The Happy Whip and Dung Song, Windora Bug
SET 1:
NICU: Standard. >
Chalk Dust Torture: As mean as a river otter. Be careful, this one has some teeth for a short, ‘standard’ version ????...
In my opinion, this is not a very good show. Considering there are so many other better versions, Ghost is completely forgettable. Disease is entirely aimless, the last half of Lizards is a mess, and YEM is very underwhelming. The setlist itself is fine, there is just nothing in the playing or...
Generally patient deconstruction of the "Ghost" theme that veers into Albany "YEM" ("Oh Happy Day") jamspace for a few then resolves to glorious peak that leaves you asking "Why doesn't Phish jam the fuck out of songs in the first set ever anymore?" [A quality '00-style "Ghost" groove rolls along, breaks into great swinging section, and then cranks it up into some serious hose-jamming before returning to "Ghost."]
The jam breaks into a nice rhythmic groove around 11:40, with great Fish and Mike. Around 18:00, Trey jumps to the keyboards, and then it gets, well, weird. Similar to 12/12/95, it's very exploratory, but perhaps not transcendent music.
Very odd, atypical Trey noodling in the jam. Weird version to be sure. The B&D starts up meekly, but then dies out to nothing quickly. And eventually out of the nothing (silence), there's barely audible vocal jamming, that increases in volume... and they end the VJ by harmonizing on the word "Puppies." (Trey tries not to laugh) Must hear? You be the judge.
While often tough to measure one version of "Jibboo" against another, such is not the case with this surprisingly deft encore. Here, silky smooth textures and a great groove are only part of the equation, providing the perfect foundation for Trey's ethereal and measured soloing, which, with its warm and subdued tone, invokes a Gin-like sound and incites terrific full-band play.