Some incredible playing by Mike and Page in this extended version that gets into a spell-binding, enchanting groove. A fantastic version that transitions (oddly and arguably abruptly) to "Moma Dance."

Page has a stirring solo, then Trey goes ballistic with the others joining the mayhem. Watch out! This dog bites!

More incredible August '93 improvisation, with this version containing five distinct, magnificent jam sections, a Brady Bunch theme tease, and Secret Language.

Strong version that features great Trey from the jump. Fish dominates, though, his offbeat, cerebral play warranting multiple listens, and informing the version's primary direction. Cool play arrives when, late, Page switches up his sound and runs through his rig. Play cools before the jam truly breaks, but a welcome return to classic form - or, hopefully, a sign of things to come.

The jam initially begins in standard "Jim" territory before a Mike-led tonal shift signals new directions. Fishman's inspired melodic drumming retains a familiar vibe, as the rest of the band shifts through several moods in seamless fashion. This gradually escalates towards a lushly-textured minor key romp before wrapping up with the traditional "Jim" ending.

While not "Hydrogen," the version functions similarly; what has now become familiar, airy play, a welcome transition from "Mike's" strong, driven, punch. What follows is a wonderful, psychedelic, excursion. Fish fans would do well to tune in around 6:25. What follows is remarkable as the improvisation itself transitions, Trey picking up Fish's pattern, or call for action, with the version quickly assuming darker over- and undertones.

After some standard outro riffing, the jam quickly hones in on a more focused vein as it traverses a few intermediate phases before landing on a fiery psychedelic zone with a recurring descending motif. Around 15:00 the groove thickens with churning bass, synths, and twinkling octave-upped guitar over top a splashy beat and ends > "WTU?".

What comes first: The effects or the melody? Tough to say, with Trey, these days. Nevertheless, deft musicianship is on full display - and here, especially, in a song seemingly constructed to showcase the band’s myriad strengths. Lovely, lilting - and, in many ways, Fish-driven version. Seriously, though: Check the change at 6:21. It's amazing.

> from a huge, must-hear "Bathtub Gin", and the band was clearly not done jamming. This extended version never strays too far from the song, but shouldn't be missed by fans of the song.

The first set-opening "Don't Doubt Me" kicks off a heavily jammed set. This jam traverses an effects-laden soundscape before giving way to a light, ethereal jam to end things before > "Kill Devil Falls".

An appearance of the dial tone opens the door to exploration and the jam first makes a quick detour with Trey playing wah rhythm chords while Page comes to the forefront, but before long it morphs into a more conventional upbeat jam. This eventually peters out and something a bit more discordant and unpredictable emerges in the final minutes before > "Fuego".

Rough start after a somewhat awkward transition. The band omit a section of the composition early on and forget some lyrics before launching into the jam. As is often the case, they make up for stumbles with transcendent improvisation and here they truly dive deep. After cascading peaks and some vocal levitation, they descend into the ambient abyss. Slowly resurfacing on surging waves of bliss that lift and float towards a tantalizing sonic perfection, it's not long before Mike grabs the helm and submerges the band once again as play takes a darker, more driven turn. The music churns until a theme recalling part of "Mercury" emerges briefly before > "Light".