Excellent -> out of "Sand". A driving, almost composed jam segment emerges from "Piper" proper, Trey hitting on a particularly catchy 70s-esque riff and Fish kicking into third gear. The beat switches up and Page moves to his synths as a new sound emerges, Trey going to his effects to really add substance to the on-stage roux. Fish picks up the pace again and the band moves into a hard-driving rockout, and then a cloud of ambient noise settles over the stage as the jam dies away and Fish hammers on his kit. But rather than end the jam, the band deepens and thickens the ambient cloud, everyone firing off whatever effects they can, Mike going to the drill to add some ear-splitting nastiness. Extraordinarily reminiscent of one of the more wicked improvisations from IT. A true Monster Jam.

"Did they jam out Tube?" YES. Witness the beginning of a new era of abundant "Tube" jams with this version, which, at the time, was one of the most improvisational versions to date, as it moves from funk to a hard-rocking groove with a big peak.

The intial funky jam seems to be coming to an end at 9 minutes, but the jam picks back up and grooves for a few more minutes while Trey plays lead before the jam shifts to soaring, melodic "hose". Returns to "Boogie" with breakdown solos from Mike, Trey, and Page. Must-hear.

"Fluff" is tough to play, and few versions approach Phish perfection. Here, however, the band delivers. The technically challenging sections are super clean; more interesting than this, however, is the tempo, with Trey and Page noticeably at ease. Plausibly because there is no deliberation, the band finds innovation, the jam not only "Arriving," but passing through an extended passage of really cool play to deliver a -> into "NICU."

As was his wont in 2021, Jon Fishman takes this jam over. He puts on yet another master class in drumming. Trey's soloing over Page's synth gives the jam an ethereal feel. Fish faithfully follows Trey wherever he leads during this one, and stands out the entire time. > into "Free".

A slightly extended intro features a killer mu-tron "California Love" jam. Some off-kilter playing from Trey during the second half.

Trey modifies his tone early on to great effect, and solos quite strikingly. As the power grows, Fish, Page and Mike serve to colorfully and dramatically paint a wonderful, Trey-penned sketch. The powerful peak leaves everyone feeling good, and underscores why we all love this band so much.

A very nice compact version which still manages to include some form of intro, bridge, second refrain, and a darkish and pulsating jam which has a '99 - '00 quality to it.

Very "Type II" version in which Trey seems to play a less dominant role mid-jam, letting Mike and Page funk it up.

"Type II" version leaves "Hood" at 9:25, breaks into a low-key groove that gets rocking, then dissonant, and heads home.

Short, but VERY sweet.

Spacey wah-groove in the outro. > to "Free."