Mean, nasty and thrilling version that includes the "Theme From Batman" teasing and a great trill section.

Dave Grippo on saxophone. Horns and jazz go hand in hand, and so horns with "Magilla" are a logical and terrific way to add colorful texture to the soundscape. Here, Grippo provides a new twist on this "standard," inspiring strong playing by all.

With the Dude of Life on vocals and Dave Grippo on saxophone. The Dude adds several verses and is hysterical. Grippo is excellent, making the jam far more interesting than most versions from late '88 - late '91. Even the little 2nd jam is great. Check it out!

One can debate when the finest theme emerges, but 7:30 seems to account for "must-hear" playing, with Trey's dazzling, "DEG"-esque soloing dizzying, offset by super play from Mike (who sounds great across the entire recording). More great guitar follows, with Trey working up and down a series of scales, before locking in upon an incredible theme. Brief and compact, the version finds all four members playing with purpose and passion, thus offering something for everybody.

Dave Grippo and Russ Remington on saxophone. No recording available.

"Norwegian Wood" teases in the intro and jam. Good quality jam with some interesting and unscripted variation by Trey.

Dave Grippo on alto saxophone.

With a noticeably faster tempo for the era, the inventive and sustained "Manteca" teasing grabs one's attention at first, but the dynamic modulation and inspired interaction between Trey and Mike is what truly impresses, here. A highly musical build, with Trey trilling and scattering notes - while maintaining the jam's signature theme - further cements this version as an early classic.

Grippo on sax. Teasefest includes "Frankenstein."

Page is steady, precise and confident throughout. From his excellent fills and soloing in Who Do? We Do! to subtle runs in Clod's early going, the Chairman is clearly in his element here. Meanwhile, Trey and Mike provide awesome support as the intensity and tension build towards the conclusion. Arrival is a great example of the entire band firing on all 12 cylinders, while Machine Gun Trey aptly demonstrates why he earned this nickname.

The first of a handful of "heavy metal" versions (see also: 1/28/90, 2/9/90, 2/21/97 as well as 9/29/00's "heavy metal jam.") "Wilson's" intro starts with a power rock version of the verse chord progression courtesy of Trey, replete with coordinated unison accent hits from the rest of the band. In lieu of "blatting" and "booming", the band ends the song by returning to the 80s metal-inflected intro to close things out as the band plays out their then-unfulfilled (not for long) arena rock fantasies.

Improvisational version with good tension and dissonance building, as well as a Fish drum solo.