Workhorse song goes huge, with Trey, just past the five-minute mark, riding rhythm effortlessly offset by an array of notes effects-laden and so "played," in equal measure, by his feet. Wonderful. Page is grand on his piano. Mike's play is deft and sweet. And Fish. On full display, here, that ineffable quality that is a sort of lead drum, a perfect case in point for the man who, if Trey had to lay down money, would pay to see play.

The breakout version from earlier in the tour at Bethel Woods turns out to be no fluke, as "Sample in a Jar" takes off once again in Toronto. The band launches into improvisation off of the IV chord (Dmajor) and settle into a powerful rock jam reminiscent of "Theme from the Bottom." This then leads into a more classic '22 sounding segment via a minor key shift, with Trey looping and Page layering synths over a steady groove from Mike and Fish. The band then locks in on an exceptional effects-drenched funk segment that puddles and coagulates > "Down with Disease."

Debut. Compact, and coyly > from Halley's Comet, playful licks, a meandering, breezy, and open-ended feel following the main chorus, offers a glimpse of what soons becomes a signature, second set staple.

In a year in which setlists struggled to integrate a host of new material from both Trey's solo effort as well as the band's Halloween hijinks, the Kasvot Vaxt hit does solid duty here as a second set tent pole, -> from "Plasma" and takes its first truly exploratory departure from form in a laid back groove that peaks north of the border and dissolves > to "Wingsuit".

Standard "Bowie" jam breaks and modulates between modes several times beginning at 7:47, ending in the expected minor mode with good tension and a solid trill section.

Some really beautiful, inspiring and upbeat jamming ("HOSE") darkens, gets punchy, and > to "2001."

Jam departs somewhat from the typical direction, but is interesting and well-played. Unfinished with transition to "2001."

First minute is must hear. Second jam has enough energy and funk to look illegal and be searched at the border.

This one breaks very quickly out of standard raging "Piper" mode into a classic '00, Mike and Page led groove-based jam.

Hypnotic, repetitive jam that leads into vocal jamming (no final WUDMTF lyrics).

The standard "Train Song" > "2001" > "Misty Mountain Hop" sandwich. Power drop that wastes no time. High energy upbeat rocker. Don't get hit by Mike's laser beams.

Uncle Ebenezer's frozen head revivified through the injection of a steaming hot blast of ectoplasm. [Mighty Mike's monstrous Modulus groove massacres the minions at Molson.]