A little extra attention to detail early on tantalizes and hints at the spicy enchilada to come. Plenty of extra hot sauce, a satisfying dose of tension, and heaps of Trey-tosterone cap off this delicious and rewarding set closer.

Another two-jam version, this one sticks close to "YEM" until the final minute which then -> to a gigantic "WGTYM".

-> from a fun "YEM". Given how strong its jamming was from the first few versions played, it may have seemed inevitable a HUGE version would appear. This 40 minute masterpiece is just that. Moving from section to section with deftness and poise. Clearly, the band feels comfortable jamming this song, and this may be the cream of the "WGTYM" crop. Must-hear.

Punchy, "Tube"/"Jibboo"-esque funky groove, with Trey melodically soloing o'er top it for a spell, eventually but abruptly modulates key and diminishes into "Circus."

Patient and smooth, all four musicians contribute to a cerebral and stately version. Mellow, yet highly musical, play features superb improvisation atop Fish's shuffling beat, with ideas swapped and recycled through subdued play (listen for a lot of "lead" Mike) which considerably brightens as Trey fires a number of notes (inducing a great reaction from the audience), before heavy, almost ominous play, morphs to become highly psychedelic in nature. This, slowly then, > into "Ghosts of the Forest" poignant Phish debut.

Busted out after a 380 show absence, Phish goes 2 for 2 on delivering the goods with this TAB standby. The jam quickly goes "Type II" and features bliss jamming aplenty as well as some new synth sounds from Page.

With Trey's struck notes skipping like stones atop bedrock Fish, a change leads to more by way of melodic soloing which, effortlessly, Trey whips into a blast of huge, clock-watcher sustain, play which separates this version from most others (see 10/20/21 for similar, inspired, jamming).