Just a friendly reply to the review by @upstateholly: I count 6 songs debuting 2009 or later ... that's 21 other songs all coming from pre-2009, and actually they all come from pre-2000 ... doesn't get much more "classic" than that these days, my phriend ... Agreed this show pales a bit in...

We drove up with no tickets, got them for 60 dollars flat at the box office, wandered on to that lawn and had a blast. The band sounded tight out of the gate. My only thoughts were "turn it louder" - which they did, and I also moved up as far as I could to that speaker. I haven't looked at...

Interesting reading some of the initial reviews of those who attended. I just finished listening to the show on Live Phish and thought it was pretty raging. Felt like a lot of energy to me with some songs having a bit of a faster tempo than normal (especially Twist). The early stage banter helped...

Firmly in the conversation for best "KDF" to date, this version diverges quickly with a driving, upbeat jam which then becomes more textural and hard-edged after 9:00. It then reverts to major for the stretch run to a strong peak which Trey hammers home with a memorable melodic hook.

Begins with a brief major tangent but then reverts to a typically rocking "Tweezer" jam, albeit in a different key, then finds its footing again with a segment anchored by Trey's off-kilter, cyclical lead. From there, it builds more conventionally until the main riff returns, seemingly to bring things to a close, but the band really makes a meal out of this denouement by running through different permutations of the "Tweezer" theme, reintroducing Trey's mid-jam riff, and closing with a Moog-ified final volley, then -> "Oblivion".

The second leg of a mammoth 1-2 punch following "Tweezer", "Oblivion" proves to be a prime vehicle for synth-drenched improvisation. A late-night, portentous atmosphere persists until the pivot to major shortly after 11:00, bringing to bear an encouraging blissful payoff.