Quickly shrugs off the usual jam structure and embarks on a thrilling exploration of multiple disparate themes, the last of which is some spooky space that leads back to "SOAM" at 18:30.

The first segment consists of strong and varied "Mercury" style jamming, highlighted by a hypnotic groove in the 13th minute. After regrouping at 15:30 the song's theme returns but in a major key and propels the jam to a peak and a bit of echoey play at the tail end before > "Suzy".

At the time, the longest 2001 since the MJ version, and best since Darien 2011. Trey leads out in the second jam and the MGM turns into a DMT paradise. Things get evil, spacey, and the band quotes "Fame" while Mike liquefies the crowd. Monster version fitting of the monster 2016 Vegas run.

Supercharged -> from "DwD" sparks breezy, airy playing, which breaks down around the 5:00 mark. Page is great, and the jam never loses momentum as Trey modifies his tone and the band fluidly floats through a few different tempos before, ultimately, alighting upon a suspended plane of marked beauty and sustained grace.

A multi-section, "Type II" behemoth which covers a lot of ground and peaks twice in the process. > to "Simple". Longest version to date.

Really nice band interplay between verses, then a heavy fog rolls over the post-verses jam, almost "Echoes"-like in nature. Very cool effects from Trey and Page here. Strong version, especially for a first set.

While there's no Trey-led jam nor even a Bass & Drums section, the full band contributes, especially Page, to a raging improvisation that culminates with everyone on drums before the vocal jam concludes the festivities.

A solid and "complete" version, breaking first to some growly, echo-filled play, which settles to a rhythmic foundation for Page and Trey to play off. At 7:45, the jam brightens in tone, but remains low intensity, then mellows further with quiet musings led by Page.

A multi-section winner, featuring extended funk jamming, a rocking peak with a "School's Out" tease, and a great -> into "Tweezer Reprise."

Religions could be founded around the eternal question, "shall thy lumpy head be happy or angry this evening?" This gracious offering promptly responds with fleet-footed and upbeat major key jamming that shows adept and confident peak building. A massive wash of heavenly synth tones blasts from the PA at the 8 minute mark; this pleases his lumpiness, who then gets angry at its departure and turns for darker pastures. After the many moods of the great drum tech is expressed, -> "Lonely Trip."

Quite the version in that it keeps the intricacy and speed of the traditional "Bowie" jam but in a major tonality and then swerves back to wrap in normal fashion.

Trey's favorite delay signals this version will break the mold, and a fully-formed, feel-good jam quickly emerges. A bit of the 2021 "Sci-Fi Soldier" sound creeps in before the final lyrics and becomes more pronounced in the outro until > "Free".