Extremely quiet and contemplative play from the composed section spills into the jam, which is dialed down to an all but erasure of sound. Trey employs a series of great, jazzy chords, before inspired soloing drives the version up and through a typically great build. With Page sounding great upon his piano, Trey alights upon a cool theme, before soaring sustain and a shredding peak crests and winds down via some great full-band play to the "note."