Jam is fairly straightforward for the first few minutes, but then there's a key modulation (type II activity afoot) and a funkaliciously melodic bridge of sorts occurs, before Page hops on the synth and Trey deploys some echoflex and then envelope filter effects. Soon melodic tension builds--slllowwwly though--courtesy of Page Mike and Trey, until there's a massive Floyd-esque echoplextastic dissonant sustained release/peak, of sorts. OF SORTS. Make no mistake: communities of ALIENS were contacted during this jam.

In a string of strong openers, Sigma Oasis gets the extended treatment for the second time. Soaring play from Trey kicks the jam off, which gives way to a breakdown jam. Mike is inventive and creative throughout.

Some dirty chord work from Trey nudges the jam out of the usual bass-guitar duel into a into a full-on barrage of synths and effects creating a killer atmospheric groove. Filthy, filthy version.

Takes a little bit of time to get going, but then resolves into a funky and bouncy jam not far away from "YPC", grows in power slowly and steadily, and nicely peaks before heading home. As with the 8/11/21 "BOAF" or 11/23/97 "Gin", finds its pocket and stays in it to very nice effect.

A handful of peaks scattered about a casual stroll through multiple musical ideas, both major and minor. Towards the back end, the jam becomes upbeat and bubbly and segues -> into "Quadrophonic Toppling".

-> from "Quadrophonic Toppling" to bookend "Soul Planet's" jam.

Emerges -> out "Soul Planet's" jam for only its second full-throated performance alongside a bevy of Fish's samples and -> back to "Soul Planet".

-> out of "SaSS". Goes grimy and effects-laden right out of the verses, Mike stepping to the forefront, then moves into a low-key upbeat groove. Things grow hazy and warm, almost ambient, and Fish picks up the pace to change the tenor of the jam. Page lays on the synths thick and heavy and something out of a monster movie soundtrack emerges, before Trey steers the jam back to "CDT" for the ending. Heavy stuff.

Following some quality "Type I" playing, the jam veers away at 9:00, shifting to minor mode and exploring some quieter realms. At 12:40, the mode shifts back to major, and the jam builds to an inspired peak, followed by additional tension-filled exploration.