This is a really weird show, especially for a festival that isn't put on by Phish. There are quite a few flubs, but the playing is very inspired and experimental. Ghost is strange and beautiful, as is Bathtub Gin. Trey is really combing the depths of the sonic ocean with his pedals right now,...

TREY, MIKE, PAGE AND FISHMAN IN PHISH REDEEMS THEMSELVES SET I: Wilson kicked things off, followed by DWD, whose composed section was flubbed pretty bad, from Mike's pedals seemingly not working to some of their vocals cues being off during the pauses between the chorus and verses, though...

Note: there's a TL;DR at the end of this that sums it up. But for those that aren't into the whole brevity thing, here's my take... Just getting back from Lockn', sitting at my desk with a nice cup-o'-joe, reminiscing at the absolute wonder and beauty that was this weekend. If you are on the...

Builds up some stop-start tension in the first half, then (via an introduction to major key) moves into a sweet melodic jam distinguished by some inspired Trey soloing and Fish matching him step for step.

Mike and Fish quickly inject some spunk into this version, leading the band into a frisky groove which is contorted with loads of tension until finally pushing through to a glorious peaking section just before 11 minutes. At 12:45, a classic rock-derived outro kicks in, ultimately resulting in a > to "BDTNL".

That scene in The Right Stuff where the aboriginal shaman sends the cloud of fireflies to repair the heat shield on the Mercury capsule so John Glenn can safely re-enter Earth's atmosphere. It sounded like this. [In from "Fuego" ->, the Lockn' "Ghost" starts out with some staccato MuTron work from Trey and some wah-infused Clav' from Page, before Mike and Fish shove the jam into a bright, upbeat space that Trey fills and trills with sustained joy. After a bit of "WOO!" and a McGrupp fake-out, they slide right into -> "Gin."]