Hard to believe it has been almost 6 years since I saw the boys in Hampton for my very first show. Didn't know what to expect, but looking back on it I don't think I realized how big the hype was to this late addition show in the Summer of '04. For one, it was their "last tour" and it was The Mothership. It was, and still is, one of the most Phistoric and Phishiest venues they play at. The experience of the show at the time was unlike anything I had seen. One of the most disappointing things now though is how much this show gets hated on by everybody, or at least forgotten. I have heard everything at Hampton (minus the post hiatus '03 run) and understand how read icculusly sick they all pretty much were, but if you go back and listen to this show, I think you'd enjoy it and give it some credit, at least for the first set. The one thing, listen to the second set first, and the first set second. It seems to me that they mixed up the sets because the first set is all jamming, and the second is more like what you'd expect a typical Phish first set to be. The Chalk Dust opener went for 20+ minutes, and gets Type II around the 7 or 8 minute mark. The play between all four members is just beautiful. Page and Trey are going note for note, and Mike and Fish hold down the backbeat perfectly. Probably the most underrated jam of '04/post hiatus #1. The 20+ minute Gin that follows gets off to a slow start, but really starts picking up when the jamming happens. Another Type II, it gets really good after 9 minutes, and Trey starts killing it a few minutes later. Gin segues into a short but sweet Runaway Jim before they start Walls of the Cave. This might be the best version they have done in the short history of the tune, but the jamming is really amazing, especially Trey, who is ripping at the peak of the jam. Loving Cup was a good high energy close to the set, well played, and a good fit to the rocking first set. The second is where people start to really hate on this show. All of These Dreams got the set off to a slow mellow start, followed by solid but standard versions of Limb by Limb and Lifeboy. Crowd Control was uninteresting, but a good song and short. The Seven Below went on for about 15 minutes, and had some goods moments in the jam until Trey had some tech problems. An unusually uneventful Stash followed, which seagued into the always fun NICU. A standard Bug slowed it down again, before Contact. I had never heard the song at the time, but I am big fan of the tune now. Just makes you feel good. Never really liked Character Zero, but it's a pretty rocking version to close out the set. The David Bowie encore was awesome. I think it was like the 2nd ever or something. This one might be my favorite version of the song. It rocks hard. To wrap, the guys played great all night, and the energy from the crowd was there especially in the first set, but the second set just got too mellow, and that's what killed the energy and led to a disappointing show overall for some. But I loved it when I saw it, and I think it gets better ever time you hear it. Only if they played the mellowed out second set in the first, and the jammed out first set second, and kept that Bowie encore, we might be talking about this show as the best of '04, and another classic night at The Mothership.

:You know things are amiss when the first set contains only five songs:
-From Above-
that may be the dumbest statement ive heard in along time!!!

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drove down from ct.w/long time tOOr friend.

set one was actually pretty good
Rocking Chalkdust to open the set,Bathtub->Runaway Jim was fun..i thought the roof was gonna explode during Walls.Lovin'cup was a great way to close the set...2nd set,couldnt tell you what the hell happened,or what the hell went on backstage at setbreak,but this was the roughest set i think ive ever experienced..the frustration on the band memebers faces is something i wont forget.contact was fitting since,we did go out to our car to find out that it was towed!

This show is VERY underrated. Phish did a flip flop setlist. You get a total Set 2 for set 1 and Set 1 for Set 2.

The first set is just relentlessly jammed out. I don't know if this was their final treat for the audience at one of their most famed venues, or if they were using the jamming first set as a warm up exercise for their final leg together as a band. But I feel it paid off.

Chalkdust kicks things off huge. It goes into a very Blissfully beautiful jam, Fish picks things up and the groove kicks in, Trey seems of top of it. It has some pretty fierce peaks towards the end. People must've been shitting themselves when Bathtub Gin kicked in, it's a slowed down version. Into the jam Trey steps in front and the guys follow him perfectly, it moves with a nice little groove. Then Jim kicks in, it feels like they get the Jim proper out of the way quick and jam. Trey once again goes off. The WOTC jam starts off similar to the Gin jam with Trey riffing and hacking away. The intensity builds into a fireball, it falls apart going back into the outro. Even Loving cup is a noteworthy version to close this set!

All of these dreams is a very off choice for the second set. And one that to this day leaves a bad taste in many a fans mouth, I can't say I care too much for it myself. Trey goes off (again) in LXL. Seven Below starts off sloppy but finds it's footing into the jam which gets chaotic and eerie it melts into a serene jam. Stash is a pretty evil strong version. The segue into NICU is fantastic! Contact is even notable with a little funk jam in its center.

And a Bowie Encore??? And a Strong Bowie at that!! What a show!

Not good. Saw them at Keyspan just months earlier and that show was released on DVD. This one was swept under the carpet for good reason. The vibe was terrible. Everyone was like "this is going to be so awesome that Phish added a Hampton show, they are going to murder it tonight!" But too much hype led to many undercovers ruining the parking scene, terrible long lines to get in, and just a shitty experience overall. I think this was a bad time for fans too. Suddenly the band was like we're done and everyone was just like well wait let me get one more fix and no one had any real emotions of what was happening.

Uninspired playing, forced everything, and I was not impressed with the "mothership" or whatever. Thank God they came back and didn't leave this summer as they're swan fucking song.

I love Phish more than ever that I'm sober now. First time was 1993.

This is in my top 5 worst shows that I have seen live. It may even take the top spot... at least as I sit here today, and reflect (8 years later), it was the only time the band's actual "playing of music" ruined a show for me. So depressing to do at Hampton of all places.

Clearly this is a show where context makes a huge impact on how it is experienced. For many whose first listening exposure was in the context of Phish's imminent (or recent) retirement, the ugly side of grief undoubtedly filtered their perceptions. Even outside that context, it would understandably be a letdown to attend a show where the first set was loaded with raging improv but set 2 was a patchwork of mostly mellow songs + even mellower jams.

On the other hand, it's an entirely different experience to give the show a fresh listen long after the band's triumphant 2009 return. All in all, it's not a spectacular show, but the highlights (especially set 1) are well worth hearing.

The opening Chalkdust has been appropriately praised - it's huge! The structured portion of the song is plenty intense, and the lengthy jam is both focused and exploratory. A bit of a hiccup transitioning to the reprise chorus is readily forgiven, as this 21-minute behemoth crunches to a satisfying finish. Bathtub Gin is another improvisational monster in the 20-minute realm, but mostly rumbles heavily through the murk with dark and edgy vamping before unexpectedly coalescing into Runaway Jim. The transition serves as an inspiring springboard to an energetic and modestly explored Jim. Walls Of the Cave is the 3rd 20-minute epic of the set, and the closing jam absolutely bursts at the seams with intensity - especially aggressive guitar work from Trey. Loving Cup is a typically strong version to end an above-average 1st set.

The ballads to start Set 2 are a well-executed trio, and Lifeboy in particular is imbued with extra emotion. Not much of a jam to Limby Limb. Crowd Control is scarcely noticeable in its brevity and indifferent execution. Seven Below begins a short and reflective jam sequence, dissipating into an airy space that is interrupted by Trey's praising his guitar tech Brian Brown. Stash is uncharacteristically introspective, with quiet and sinister exploration that skips the customary finish and winds into NICU instead. Solid enough NICU, with heavy-handed repetitive chords deliberately replacing "Leo"'s usual nimble-fingered solo. Bug is a very strong version, delivered with extra gusto. Contact is tightly executed, and noteworthy for Little Drummer Boy jamlet at the end - which becomes progressively more twisted before rumbling into a typically hard-charging Character Zero. Bowie encore is definitely a satisfactory version.

This has the distinction of being one of the worst regarded Phish shows of all time. For that reason I think it should be on every fan's "must hear" list. I myself am definitely a fan of some of the more blurry passages.

My first show although I had been listening for about 10 years. The impending "break-up" got me off my butt to make sure I got a show in before they were gone.

Like most, I think the 1st set was great that night and stands up over time. The size of the CDT and the intensity of the Walls really stand out to me 9 years later. And while not the typical emotional ballad, the emotion during Loving Cup was amazing. You could really look around Hampton and easily pick out the fans who had put in years, shows, and miles with Phish and were now sure it was ending.

The 2nd set - rough. Almost like a sputtering car that you're desperate to get home, to the garage, to the gas station, etc. The 1st set joyful sadness really seemed to be replaced with just sadness.

But for selfish reasons, that 1st set/2nd set high and low really did it for me as a first timer. The 2nd set was like a normal concert but with the emotional heft of everyone wanting it to be as great as the 1st set. And the 1st set was what made me realize how intense, brilliant and beautiful a Phish show can be. It made me grind away online for hours to get tickets for Camden 2009, it made me ditch work on a flimsy excuse for Camden 2010, motivated me to make sure I got to Sunday MPP 2010 after a wedding Saturday night, get to SuperBall, scramble to get Sunday AC 2012 in, etc, etc.

The merits of 1.0, 2.0, and 3.0 can be debated to death. I know I'm regretful I didn't advantage of 1.0 and 2.0 the way I easily could have. Hampton 2004 takes a lot of deserved shit but it holds a special place for me. When Phish came back in 2009, it's this show (specifically the 1st set) that is the reason for all the beautiful moments I've seen in 3.0.

I was heartbroken walking out of Hampton that night. Everyone's covered pretty much every aspect. However I'm confused why, the absolutely fierce and fiery 2nd set opener, "All of These Dreams," (I do love the song regardless), upset most people. Well, every person I know, and, it seems, everyone here..BUT, it was an obvious decision Pholks! It is practically THE ONLY proper follow up to the 1st set's conclusion, "Loving Cup." Of course, no one can truly know the minds of four Vermontians when making such crucial, yet clamorous, melodic decisions! But if one tries to place him/herself as close as one can to that Phinite alcove, one might find one's self standing next to "THE MAN ON THE MOUNTAIN" and one would clearly see the connection, the transparent reciprocity available in that "PLACE ON THE MOUNTAIN NEARBY!" Therephore (!), in light of the first-line- lyrical-association of these two ditties, the irony of the "mountain," being a possible reason for such an odd decision, can painfully come to fruition in the fall that would take place, from that lofty proverbial spot, where these same Vermontarians fell, only to once again claim that uniquely Phormed ledge after a glorious, and painstaking, reemergence!
That's the best I got! That show was tough. The whole scene/air/energy felt as muddy as the sludgy jams that characterize the 2.0 era. And I, personally, love that shit!

worst show i ever saw, you could tell it was time for the boys to take a break

Set 1.

chalk dust: fluent and high energy. a blast right off the bat. this jam begins hot, meanders and slides around for a while and eventually starts to break through to deep space. Unfortunately, the ending is botched during the transition to bathtub, and it turns into a sloppy outro.

bathtub: a seriously fuckin rockin intro, a monster slop-fest from the get-go, page tears this song to shreds, as trey rocks against the current for a while, and its as though he is just slapping his guitar to a violent rhythm; a strained uphill battle. Meanwhile, mike and fish keep the jam from decaying and maintain the flow coherent. the jam segment struggled to dissolve into type II status (to me), and it hovers at verge of breaking through, a true struggle from start to finish.

jim: a surprisingly smooth transition from the flailing bathtub jam. from head to toe a solid and short jim.

walls: one of my personal fav versions, of one my personal fav songs. it staggers and stumbles along, with an exceptionally eerie beat (even for walls standards). the second jam segment gets intense and culminates into an enormous slap to the face. the intensity wavers and slips around through the cosmos and, for me, becomes a lucid experience.

cup: a nice tight cutesy bow to wrap this beautiful pile of slop.

set 1 tl;dr:
the meat and potatoes; chalk dust, bathtub, and walls are a sloppy heaping pile of transcendent jamming, with a loving cup filler tossed in to please the masses.

Decide for yourself:
Set I: http://www.youtube.com/watch?v=_7VquBxKRJQ
Set II: http://www.youtube.com/watch?v=ZrWnr3eCWCA

thx to ThePhishJams

Hate to be this guy but..... I drove from FL whilst I was in college. Was expecting a super show, it was anything but that. Don't let the setlist fool you but it was a dud in my opinion. It was a dark time for the band and it translated on stage. I saw them a lot during this dark period and this kinda capped of what I had been experiencing. I need to give it a relisten but the Set 2 opener of all of these dreams was rough and the lifeboy felt like a slap in the face "But God never listens to what I say, God never listens to what I say, And you don't get a refund, If you overpay". Many fans overpaid and based on the vibe in the audience I felt like they were speaking right to us. I have a solid story of the whole journey to the venue (shoutout guy who gave me a "work" deal on some work which helped offset my costs) but I was really hoping for an amazing show which was my last for a long time as well as at the fabled mothership. Anyways i realize this is years later and memory might be foggy somewhat, but based on seeing how they ripped it here recently I felt the need to express my feelings on the show. Love ya'll and see you in Mexico!!

Just re-listened to this one randomly and this show gets way too much hate. There were moments where the show was a bummer due to some technical gaffes and glitches but overall I loved it and was surprised by the hate it got...and seemingly still gets? It's a little sloppy and wild but it sort of works...I think whatever emotions were going on were definitely starting to show and this show illustrates some of that. The jamming goes from slop to pissed off and into exuberance in short bursts. There's some real tug-o-war going on in who is driving and where they want to go. The Chalkdust meanders into some awesome places. Gin>Jim is fun and loose and build into some unusual peaks from Trey and Fish smacking his crash. Walls of the Cave might be the best I've heard. Trey rips through it, but the whole band is driving pretty hard and again, sound pissed off; you can almost see the mean-mugging that probably occurred when Trey slams back into the Walls outro vocals. Again, its loose during the jams but its always driving. There are some wild moments...David Bowie overall is rough and tumble. The song choices are great, but the order is tricky. All of These Dreams to open a set? Dreams squeezed in set 1 would work and then open with LXL for set 2; that would help a lot I think. Overall, its just an interesting show and deserves a listen and maybe more respect for the jams. This show may exemplify where Phish was at a very specific time; the ups and downs, heavy and sad into happy fun jamming. It's all over the place and makes for an interesting listen.

This show gets hated on for its slow 2nd set and even I admit it isnt a strong overall show.

the first set is very strong. A bit short but 5 very strong songs. I missed chalkdust but heard it was the song of the night besides the bowie encore. The Gin was very strong I did make it in for this and good Runaway. WOTC was a top version and always good to see loving cup in a diff spot the the encore spot (i think we all can agree). The 2nd set starts off slow and makes me wish they wouldve taken 2 slow songs and put WOTC and Gin in the 2nd set. If they did that I bet this show would have better flow.

But Its the only Lifeboy I've ever had and that song is awesome as well as only AOTD. The NICU>Bug>Contact made up for the slow start. And i still feel in NICU page has one of his strongiest wail outs as we all know page always does well in the jamming and techincal side but he really shreds this song almost like a heavy guitar. and yes Zero and Bowie are amazing too.

so even tho the show was not the best. It had strong moments and the Little Lamb tease was tight

I took a 7.5 hour train ride from NYC to get to the show. Nothing doing but the 1st set. I was glad I was able to take a 1 hour plane ride to Boston the next day. Great Woods was lots of fun!

This was not a stellar night for the band. You know things are amiss when the first set contains only five songs. Impending doom was the theme of the evening. I did, however, enjoy Contact. Give this one a listen, and I believe you will find many painful moments. I had more fun in the hotel room after the show.

:You know things are amiss when the first set contains only five songs:
-From Above-
that may be the dumbest statement ive heard in along time!!!

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Proper punctuation and capitalization are your friends.

I'll take the 5 song 11-23-1997 Set II over this Set I.