, attached to 2015-08-21

Review by toddmanout

toddmanout Magnaball was the second Phish festival held at Watkins Glen Speedway, a massive turn-both-ways NASCAR track that should be much more famous than it is for hosting the largest concert ever*, a legendary show that featured the Allman Brothers, The Band, and The Grateful Dead back in 1973.

I guess Woodstock had better PR people.

My crew and I had such a good time at the last Phish fiesta in the ‘Glen that we decided to drive down to New York a whole day early this time around so we could get ourselves set up in the campground and get nice and comfortable before the festival even began. We also kind of figured that this strategy might afford us the primest of camping spots. We were woefully wrong about that.

But when we woke up onsite in the morning of August 21st, 2015 we were all still blissfully ignorant to the situation we had parked ourselves in. It wasn’t until we decided to saunter down to the stage to see what sort of installations the band had installated that we discovered the Marco Polo-like distance we had to cover to get there. When we finally got to the site I plunked myself down in the merch line to buy a poster and some records and by the time I got through the line it was time to head back to the site to drop off my purchases and get ready for the show.

So back we went, and then forth again; gosh it was far. By the time Phish went on I felt like I was near the end of my own second set. Luckily the band and the crowd exuded more than enough energy to keep me on point for the night.

If there was a lull left over from setbreak it was immediately brushed away by set two’s Chalkdust Torture opener, and people still talk about the Ghost that they played after that. Then Rock & Roll by the Velvet Underground and one of my eyes-closed, hands-in-the-air favourites, Harry Hood.

Okay, I might have nodded off for a moment during Waste but I’ve been known to do that even on my peppiest nights. Then No Man’s Land and another raised-arms anthem of bliss to close the set, Slave To The Traffic Light.

At that point we were just a Farmhouse and a First Tube away from embarking on our epic trek back to the faraway, where my cooler and my guitar awaited my consistent attention. I don’t know when I went to sleep or when I woke up but I knew it didn’t matter. All I had to do the next day was the same thing again, and as taxing as it might be I was up for the challenge.

*With 600,000 people in attendance, many claim that the 1973 concert was the largest gathering of people in the history of America. On that single day one out of every 350 people in the United States were at Watkins Glen. Taking demographics into account it has been estimated that one out of three people aged 17-24 living between Boston and New York attended the event.

I recently read that there is a concert film doc about the show slated for imminent release. Can’t wait to see it.

toddmanout.com


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