Jam Chart for shows in the city of St. Paul, MN (5 entries)
| Date | Song | City | Timing | Notes |
|---|---|---|---|---|
| 1991-10-06 | St. Paul, MN | 5:27 | Although it starts off a little tamely, this version quickly kicks into gear with all the elements of great early versions - wild jamming, exotic texture, and dissonance with a capital "D." | |
| 1991-10-06 | St. Paul, MN | 12:26 | Nice bubbly flow to the beginning of the jam. Trey adds some great soloing, then the jam builds up to a solid peak. | |
| 1995-10-25 | St. Paul, MN | 16:43 | Trouble in the composed section is atoned for by way of a remarkable, multi-faceted jam. First, Mike and Trey team to create an extended passage of contemplative, exemplary play, with Fish and Page providing on-point fills. This soon builds into powerful and direct playing, with Trey's dynamic soloing offset by the others, in particular Mike (best experienced in SBD as part of Live Bait Vol. 12), before Trey goes off, incredible, shredding guitar not so much building as exploding, resulting in a memorable, fiery peak. | |
| 1995-10-25 | St. Paul, MN | 17:07 | A quick tempo, energetic 1st jam gets fired up, then takes a few more laps before breaking to the 2nd at 9:30. Dropping into a rhythmic groove, Mike and Page front while Trey goes mini kit. At 14:15, space takes over and gains a pulse and ominous sentiment, before -> to "Breathe Jam." The jam on this Pink Floyd classic provides fitting closure for another big '95 "Mike's." | |
| 1995-10-25 | St. Paul, MN | 3:50 | -> in from "Mike's Song." The jam on this Pink Floyd classic provides fitting closure for another big '95 "Mike's." |
Jam chart versions are selected because of improvisational and other characteristics that distinguish these from typical versions of the song.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.
Phish.net
The Mockingbird Foundation