Jam Chart for shows in the city of Madison, WI (23 entries)

Date Song City Timing Notes
1990-11-08 Llama Madison, WI 4:50 Some bluesy Page B-3 action, and sick Trey shredding. [Note: virtually every version from '90 - '92 features incredible playing by the aptly named Machine Gun Trey. You really can't go wrong with any of the versions from this period.]
1991-10-04 Magilla Madison, WI 4:15 Page opts for his organ to employ cool, spacey effects. A cosmic, studio sort of sound, which greatly enhances the jam. Trey modifies his tone, accordingly. Page reverts to a more traditional sound and solos ensue before the band makes a nice > into "David Bowie."
1991-10-04 Bowie Madison, WI 10:51 Almost immediately breaks from the standard. Strong and dissonant improvisation, with an unexpected section of quiet space before the storm rebuilds. Short but powerful.
1992-04-30 Stash Madison, WI 8:50 A very good version with brief departures beyond standard "Stash," and lots of tension and dissonance.
1992-04-30 Antelope Madison, WI 12:05 Improvisational jam that gets well beyond typical "Antelope." Machine Gun Trey and Mike rip it.
1992-04-30 Tweezer Madison, WI 11:30 Hysterical, must-hear opening segment. Colonel Bruce Hampton on trombone.
1992-04-30 YEM Madison, WI 18:53 "Welcome Christmas" (from How The Grinch Stole Christmas) VJ.
1992-12-08 Wilson Madison, WI 9:02 An extended intro with extra silence and space hints at the quiet, yet potent, improv ahead. The band stretches out what is usually a short vamp preceding "BLAT BOOM" into three minutes of avant-garde, atonal, knotty, bizarro Phish interlaced with secret language cues (the "Aww F**k" signal is especially potent).
1992-12-08 Llama Madison, WI 5:07 > in from "Wilson." Danger: listening to this version could cause your brain to involuntarily explode.
1992-12-08 Stash Madison, WI 9:56 Trey is like a demon possessed here. Doesn't matter that's it's inside the box, it's a great version.
1992-12-08 Mike's Madison, WI 8:49 The jam has a bit of a darker sentiment, amplified by some "MLB"-like jamming towards the end of the first jam. The 2nd jam features repetitive, heavy metal type playing, which transitions nicely back to the typical closing sequence.
1994-11-20 Stash Madison, WI 11:56 An absolute thriller, moderately exploratory, but intense with great tension building throughout.
1994-11-20 If I Could Madison, WI 6:59 Great and different version with the "Reverend" Jeff Mosier on banjo.
1994-11-20 Bowie Madison, WI 16:36 Fantastic, exhilarating, "Oh my god it's so f_cking good" jam.
1994-11-20 Reba Madison, WI 12:46 Another jam informed, early on, by a passage of quiet, contemplative play, and marked staccato playing from Trey and super Page. Fish is busy upon his blocks, and Trey works through a great theme (infused with a warm tone) beneath which Mike offers mellow "underwater" grooves to lead the band through a deliberate, and, at times, what sounds like "grinding" build towards a rousing conclusion dominated by Fish and Trey.
1995-10-24 Fee Madison, WI 5:48 Delays/effects and -> to "Llama."
1995-10-24 Julius Madison, WI 9:10 Blistering, second-set opening powerhouse.
1995-10-24 Theme Madison, WI 11:21 Strong "Type I" version is yet one more example of why 1995 was such a stellar year for the band.
1995-10-24 YEM Madison, WI 27:30 A !@%^^!# MONSTER!!!!!!
1995-10-24 Antelope Madison, WI 16:48 Although largely "Type I," this version is one of the most thrilling and intense ever. The tension and tempo start to crank up after 8:00, and even more so after 10:00. At 11:30 it sounds like "Rocco" is starting with no peak, but then there's a cool, thrumming jam section that sounds like an Antelope running, before building to the expected peak.
1998-11-06 SOAMelt Madison, WI 14:34 Great straightforward '98-style funk groove, and apparently one of Mike's favorites from Fall '98.
1998-11-06 Simple Madison, WI 13:03 And... another gorgeous jam that eventually dissolves into serene space.
1998-11-06 Caspian Madison, WI 10:56 -> in from "Simple." At about 8:10 the jam downshifts from typical '98 full power "Caspian" mode to a more sedate and pensive one before a nice transition to "Fluffhead."
Jam chart versions are selected because of improvisational and other characteristics that distinguish these from typical versions of the song.
Versions with a red background are in the Phish.net Hall of Fame, and reflect exceptional, legendary, and classic moments from Phish's performance history.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.


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