I grew up in the area, so the fact that they were excited to play Weekapaug (named after a town located only a few minutes away from my parents’ house, which is my very convenient lodging option tonight) meant a lot to me! I loved that they acknowledged the song’s origin story in such a special...

"The Curtain" in the First Set. "With" in the Second Set. This is the way. Don't rob us of another set list thing, .net overlords. The way you did the rating system... And now reviews have to be a certain length? This whole place has gone to pot... WTF happened to .net? I remember...

Tonight was full of new material and amazing energy to counteract the “washed up nostalgia act” connotation of playing at a casino. So we can get back to what matters most: wooks on acid playing roulette. The segues were incredibly smooth, the jamming was fresh and, at times, evil. Best show of...

An absolutely stunning piece of psychedelic music, almost akin to free jazz at times, that touches on nearly every mood imaginable in Phish's improvisation and a few not imaginable in Phish's improvisation. Exceptionally deep and must-hear.

Anchoring an improv-heavy set 2, this big-time "Kill Devil Falls" utilizes the consistency of its double-time rhythmic launchpad, allowing for the Phish textural machine to intensify and grow in density. Colorful ambient synthesizer textures coupled with Trey's seemingly endless bevy of melodic ideas dress the freight train that is Mike and Fishman’s rhythm section attack, eventually leading back to the "KDF" ending, and charging into "Carini".

The jam breaks into a really cool, "Caravan"-like (Duke Ellington) or "Spanish" minor mode jam section at about 8:00, which continues for several minutes and grows increasingly intense and includes a fleeting "Manteca" tease by Trey as well. This tension-filled playing winds its way back to "Stash" proper by 11:30, concluding a terrific version.