SET 1: Funky Bitch -> Chalk Dust Torture, AC/DC Bag, You Enjoy Myself > Scent of a Mule, David Bowie
ENCORE: Sweet Adeline
 After taking a train from Trento to Rome during the off day on July 4th, we made it to Rome in time to see the sights before the show. We saw Mike outside the venue before the show, and he said the planned bar gig set for that night was off due to "red tape." The Stadio Olimpico is huge! They were actually playing Funky Bitch as we got in (which is considered the sound check), then stayed on stage and continued into the main show. After the disappointment of these previous 2 nights, this show rocked! Seeing Phish in this massive venue with only a handful of Phish fans made for a funny spectacle. Phish's 48 minute set was followed by Los Fabulous Cadillacs, then Santana
		After taking a train from Trento to Rome during the off day on July 4th, we made it to Rome in time to see the sights before the show. We saw Mike outside the venue before the show, and he said the planned bar gig set for that night was off due to "red tape." The Stadio Olimpico is huge! They were actually playing Funky Bitch as we got in (which is considered the sound check), then stayed on stage and continued into the main show. After the disappointment of these previous 2 nights, this show rocked! Seeing Phish in this massive venue with only a handful of Phish fans made for a funny spectacle. Phish's 48 minute set was followed by Los Fabulous Cadillacs, then Santana
	 "this show is well below average and not essential listening" - dscott review.
		"this show is well below average and not essential listening" - dscott review.Add a Review
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Review by dscott
In terms of the overall Phish canon, this show is well below average and not essential listening. Still, it's plenty enjoyable if your ears happen to cross its path.
Unfortunately we will probably never hear the first several minutes of the show, as the Funky Bitch "soundcheck" reportedly became the opening song of the set, transitioning into Chalk Dust Torture. The tape begins midway through the latter, and graces us with 4+ minutes of typically incendiary tension and release for a mid-'90s CDT. AC/DC Bag is standard, but is played with a fusto (look it up) full of gusto. Possibly the most compact version of YEM since the 1980s comes next, squeezing every usual part besides the bass jam into a little over 11 minutes. Scent Of a Mule comes galloping out of the vocal microjam, and it's a spirited but standard delivery. Bowie is solid but unremarkable in length and execution, with some dissonant and effects-laden tension and release towards the end. Some funny banter about the encore being acapella so that the band could say that they performed a song thusly, and they finish this brief opening act set with a typical Sweet Adeline.