Soundcheck: Dickie Scotland Song, Dirt (several times)
SET 1: Also Sprach Zarathustra > Chalk Dust Torture, Guelah Papyrus, Axilla, My Mind's Got a Mind of its Own, Beauty of My Dreams, Bathtub Gin, Mozambique, Sand, Waste
SET 2: Gotta Jibboo, Ghost > Taste, Brian and Robert, Mike's Song > Simple > Train Song, Weekapaug Groove
ENCORE: La Grange
 I lost my shit right off the bat!  2001>Chalkdust. We went early & got the rail in front of Trey.   I head banged so hard during Chalkdust I  blew  my neck out & Trey gave me a thumbs up. Sick show all the way.
		I lost my shit right off the bat!  2001>Chalkdust. We went early & got the rail in front of Trey.   I head banged so hard during Chalkdust I  blew  my neck out & Trey gave me a thumbs up. Sick show all the way.
	 After seeing the 2 Gorge and Boise shows earlier this tour, I was hoping to finish out 1999 with one more epic Phish show (FYI, this is still the goal and it will never change). I'll never tire of re-listening to the 1999 tour and this show is right up there with the best of the year IMHO. The talk on the tiny lot scene pre-show was mostly about some terrible tour-rat fight that happened the previous evening in Tucson. Not sure what went down, but people were definitely on edge and eager to get back to what's most important, Phish!!!! Standing in line at will-call, several people asked me if I had seen Mike earlier in a golf cart. I thought they were full of shit, but after the 3rd person brought up this story, I couldn't help but inquire further. Apparently, Gordo was driving around asking phans if they thought a weather/military blimp floating over the venue was an alien UFO?
		After seeing the 2 Gorge and Boise shows earlier this tour, I was hoping to finish out 1999 with one more epic Phish show (FYI, this is still the goal and it will never change). I'll never tire of re-listening to the 1999 tour and this show is right up there with the best of the year IMHO. The talk on the tiny lot scene pre-show was mostly about some terrible tour-rat fight that happened the previous evening in Tucson. Not sure what went down, but people were definitely on edge and eager to get back to what's most important, Phish!!!! Standing in line at will-call, several people asked me if I had seen Mike earlier in a golf cart. I thought they were full of shit, but after the 3rd person brought up this story, I couldn't help but inquire further. Apparently, Gordo was driving around asking phans if they thought a weather/military blimp floating over the venue was an alien UFO?  Awesome show. It was like it was my own private show because there were not very many people there. I had front row without a problem.
		Awesome show. It was like it was my own private show because there were not very many people there. I had front row without a problem.
	 Also Sprach Zarathustra: Can you come out of the gate any better?  Big, spooky loops to get underway. Wicked effects at 3:44 from Trey. Trey’s mini keyboard actually adds to the greatness of this jam instead of taking away as so often happened when he jumped on it. This 2001 out of the gate is a home run, they crushed it!   >
		Also Sprach Zarathustra: Can you come out of the gate any better?  Big, spooky loops to get underway. Wicked effects at 3:44 from Trey. Trey’s mini keyboard actually adds to the greatness of this jam instead of taking away as so often happened when he jumped on it. This 2001 out of the gate is a home run, they crushed it!   > This show has a fantastic Gin that starts out in the same vein as Riverport but takes a left turn into some arena rock madness, such a fantastic version. Sand is also no slouch. The whole first set is just so high energy the setlist is perfect for that.
		This show has a fantastic Gin that starts out in the same vein as Riverport but takes a left turn into some arena rock madness, such a fantastic version. Sand is also no slouch. The whole first set is just so high energy the setlist is perfect for that. This was my first show in my home state. My brother's dorm room was a nine-iron shot from the arena. Can't beat that. My buddy Dave and I drove from Tucson the night before. Weird scene in Arizona and the rest area halfway between Pima and Cruces was full of wooks. But the Cruces show was smokin'. Anytime you got a 2001 and a Mike's Groove in the same show during this era, was epic in the truest sense of the word. The Gin was great too, and Mozambique...what the heck ever happened to that one? I was also at the Nassau show in '98 where this jam originated.
		This was my first show in my home state. My brother's dorm room was a nine-iron shot from the arena. Can't beat that. My buddy Dave and I drove from Tucson the night before. Weird scene in Arizona and the rest area halfway between Pima and Cruces was full of wooks. But the Cruces show was smokin'. Anytime you got a 2001 and a Mike's Groove in the same show during this era, was epic in the truest sense of the word. The Gin was great too, and Mozambique...what the heck ever happened to that one? I was also at the Nassau show in '98 where this jam originated.
	 This is one of my favorite shows. I did this whole tour and this along with Boisse were special unheralded shows. Trey's Brian Eno influence heightened at this stage in his career. I love ambient phish. Great show! Check it out!
		This is one of my favorite shows. I did this whole tour and this along with Boisse were special unheralded shows. Trey's Brian Eno influence heightened at this stage in his career. I love ambient phish. Great show! Check it out!
	 A dark, driving, heavy Ghost which belongs in the Jam Chart WAY before any 3.0 version. Well-played “song,” a rare error-free return to the coda, and then Trey in particular ratchets it up, very powerful and quick playing with Page matching for a solid seven straight minutes in line with Polaris (but not quite as long). After dozens of listens to this jam, just can’t see why it’s not in the JC. 26 years later…a well-kept secret.
		A dark, driving, heavy Ghost which belongs in the Jam Chart WAY before any 3.0 version. Well-played “song,” a rare error-free return to the coda, and then Trey in particular ratchets it up, very powerful and quick playing with Page matching for a solid seven straight minutes in line with Polaris (but not quite as long). After dozens of listens to this jam, just can’t see why it’s not in the JC. 26 years later…a well-kept secret.
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Review by n00b100
Set 1 immediately gets on my good side with a sweet 2001; Trey cranks out some nastiness in the first half, and lays back in the 2nd half so Mike can play some burbling notes. The band then knocks out a few "song" songs, all well-played to be sure, before we get to the next big highlight - a Gin that carefully makes its way into a "Classic Gin" upbeat jam that doesn't quite reach the hallowed heights of 7/29/98 or the Went but still features some joyfully sweet Trey soloing and is worth the listen for those that enjoy "bliss" jamming. I also like the Sand in this set; the band hadn't quite developed the lockstep groove of even three months later, so the jam is a bit looser and therefore more interesting to my ears, kind of like what they did with Antelope in the late 90s. So that's a thumbs-up first set right there.
Set 2 starts with Jibboo, and I'm tempted to give away the points earned by the 2001, but this version at least has some spaciness to it that helps me like it a little more than usual. But then in comes Ghost to redeem things, and halfway through the jam starts heading towards slightly darker waters, Trey really making his guitar walk and talk, the groove sharp and muscular (Mike really makes his presence felt as well), until things slow down and things get ambient and spooky. Such a delicate coda makes for a natural lead-in for Taste, and this Taste is not spectacular but features some nice band interplay. Brian and Robert serves as a breather, then comes Mike's Song, and it brings some funky guitar licks (with loops fluttering around in the background) and Page's added color on the organ as the groove stays more mellow than angry (see: 7/17/98). You will want to dance to this Mike's, believe me. Mike's leads into Simple (kinda odd it's not a ->, as it sounds a lot like every other Mike's/Simple transition ever), which is standard but leads to a pretty ending as it so often does. Train Song is next, then Weekapaug, which teases *something* early on (Trey does, I'm sure of it, but I can't tell) and is perfectly fine (the jamming chart's analysis seems a bit harsh), maybe not as massive as one would like but still full of nifty guitar playing. It's a fine way to close a pretty strong set, and La Grange is one encore song I have yet to tire of hearing (probably because it's so relatively rare).
Shows like this are why I think Fall '99 is better than December '99 - there's spaciness and thick grooves and moments of hushed beauty like the December shows, but greater consistency (at least in terms of sets, if not full shows) all around. Along with 9/14 and 9/18, this is the third part of Fall '99's Holy Trinity. Big thumbs up.