SET 1: The Landlady > Bouncing Around the Room, Foam, Esther > Mike's Song > I Am Hydrogen > Weekapaug Groove, Cavern > The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday > My Sweet One, Golgi Apparatus
SET 2: The Squirming Coil > Buried Alive > Reba, Llama, Guelah Papyrus, Divided Sky, Hold Your Head Up > Love You > Hold Your Head Up, The Lizards
ENCORE: You Enjoy Myself
 This is a pretty average show from 1991 with nothing really of note except for some very strange song placement in my opinion (an ugly Mike's Groove dropped in the middle of set 1, a partially-narrated The Lizards as the show closer, and Buried Alive, Llama, and Cavern all oddly misplaced). It's all good because it's Phish, but the show didn't have great flow or any real standout moments. I'm going to go with 2 stars here mainly for the almost total absence of flow from beginning to end.
		This is a pretty average show from 1991 with nothing really of note except for some very strange song placement in my opinion (an ugly Mike's Groove dropped in the middle of set 1, a partially-narrated The Lizards as the show closer, and Buried Alive, Llama, and Cavern all oddly misplaced). It's all good because it's Phish, but the show didn't have great flow or any real standout moments. I'm going to go with 2 stars here mainly for the almost total absence of flow from beginning to end.  Decent enough audience recording for this show. The levels run hot and the sound is a bit tinny, but overall enjoyable given the intimate setting. The master recording is from a Dat source. The digi-farts during Landlady confirm this. Hopefully the Dat Master finds it’s way into circulation!The circulating source sounds like a Cass/1 to my ears.
		Decent enough audience recording for this show. The levels run hot and the sound is a bit tinny, but overall enjoyable given the intimate setting. The master recording is from a Dat source. The digi-farts during Landlady confirm this. Hopefully the Dat Master finds it’s way into circulation!The circulating source sounds like a Cass/1 to my ears. 
 
	Add a Review
 Phish.net
Phish.netPhish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
 The Mockingbird Foundation
The Mockingbird FoundationThe Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by SplitOpenAndMule
Listening to this show, it's pretty average for the time period, with great 1991 playing throughout and a few highlights of excellent jams in Reba and YEM. But there's something else very special happening at this show, which is Phish having a respectful audience listening as attentively to the music as the band themselves are. Fish comments on it humorously Before Love You ("What a great crowd. So attentive. It's scary... if you fuck up we'll all know!"); and Trey thanks the crowd before the YEM encore ("In all honesty I can't remember an audience that was this attentive in like the last five years or something, it's really amazing, this is great man."). So listening back, there's no crowd chatter on this aud tape, making it sound almost like a sbd. And I think Phish really rewarded this crowd for that.
Esther is an incredible story, musically and lyrically, but it needs listeners to land, and this Esther feels especially potent and powerful. TMWSIY is a very delicate song, and I'm guessing it was played because the crowd could hold it. And it seems that Trey is more willing to offer some Gamehendge narration to good-listening crowds, as he does before Esther and The Lizards. (In Sacramento on 3/22/93, Trey also explains the reason they play all of Gamehendge is because of the great, attentive, quiet crowd.)
The final blessing of this show is an awesome YEM with a very dynamic vocal jam centered around the band saying "Shut up." It's bold, hilarious, and exemplifies the glorious types of musical exchanges Phish and the audience can co-create.
The moral of this show is: Don't talk when the band is playing, and the music will reward you.